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Victoria Fenbane. Purchasable with gift card. Richard Z. Kruspe Wickedness No Boys Allowed Supernatural Extremely useful is his inventory of all relevant texts, including several unpublished ones. Show Hide Table of Contents. The book explores literature's status as a differentiated form of discourse, suggesting what social practices made its role possible and offering an innovative model for the reader's engagement with these subtle and complex ancient works.
Part One: Approaches 1. The author describes his approach to the poetry of this period, explaining that he discusses them as components of a coherent corpus. He goes on to provide a summary of key events that figured during the period of the Middle Kingdom and goes on to trace the reception history that the literature has experienced since the midth century when it became to known as some of the oldest literature in human history. Part Two: Context and Intertext 3.
This chapter looks at the many problems of assessing the oral and written contexts of ancient literature. Topics discussed include: — possible strategies for determining the date of a text — ancient attitudes to text — New Kingdom manuscripts — oral and written prototypes — intertextuality. In this chapter, the author looks specifically at the social context of Middle Kingdom poetry.
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This chapter looks at the question of literature and ideology. Specific topics include: — literature as imaginary — literary decorum — fools and enemies — gender and sexuality — responses to death and the divine — generic and topical expectations — programmatic and other models for interpretation — play and mediation. This chapter looks at the formal aspects of Middle Kingdom poetry. Topics include: — literary genres of Middle Kingdom poetry — metrics — style.
This chapter explores the thematic range to be found in Middle Kingdom literature. Part Three: Readings 8.
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This chapter provides readings of important, fully preserved tales as well as other examples. This chapter surveys the extant Discourses add Dialogues. In this chapter, the author reiterates his approach, explaining that he has offered ways of contextualizing the poetry within the surviving system of Egyptian writings and summarizes his conclusions.
He then addresses the question of how modern readers might approach and enjoy the texts while avoiding problems of anachronism.
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