William Faulkner and the Problem of War:His Fable of Faith
This is often attributed to U. Senator Hiram Johnson , but does not appear anywhere in his speeches.
Arthur Ponsonby Falsehood in Wartime quoted: "When war is declared, Truth is the first casualty", but the first recorded use seems to be by Philip Snowden in his introduction to Truth and the War , by E. London, July "'Truth,' it has been said, 'is the first casualty of war. Wikipedia has an article about: Aeschylus. Wikisource has original text related to: Author:Aeschylus.
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Journal of Modern Literature The disclaimer parallels a similar attempt at palliation in the "Author's Note" to The Secret Agent , in which Conrad states that, in writing the novel, "I have not intended to commit a gratuitous outrage on the feelings of mankind. In any event, Conrad always proved himself to be a far better artist than literary critic, and his reassuring words, written years after the fact, offer an interesting glimpse into his motivations, but do not do justice to the psychological and moral complexities of his work—work that can explore "lost honour" without entirely concealing from view the morbid, the perverse, the outrageous.
Contemporary critical theory, especially French philosophy and psychoanalysis since the rise of Existentialism, has shown a similar—but not nearly as repressed—interest in the morbid, the perverse, and the outrageous; however, reassurances and disclaimers are to be found here as well. Jacques Derrida has founded his career on non-foundationalism, but, especially since the late s, he has repeatedly emphasized the ethical and political dimensions of his work; for example, in a forum gathered to discuss the place of Deconstruction in legal theory, he stated, "Nothing seems to me less outdated than the classical emancipatory ideal.
At the same time, Conrad's fiction maintains connections—both implicit and explicit—with philosophers and authors who preceded him, figures as various as Hegel, Novalis, and Carlyle.
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Lord Jim , an especially potent novel that showcases Conrad's critical and exploratory method, can yield new insights when examined from the perspective of later writers and in the context of earlier ones. Near the end of his oral narration, which takes up the large middle section of Lord Jim , Marlow pauses briefly over the question of justice, which he treats in his usual ironic-pessimistic manner: "Truth shall prevail—don't you know.
Magna est veritas et. Yes, when it gets a chance.
There is a law, no doubt—and likewise a law regulates your luck in the throwing of dice. It is not Justice the servant of men, but accident, hazard, Fortune. Although this passage reflects on, and laments the absence of, what could be called divine justice, Lord Jim is also a novel that interrogates the question of justice as it is enacted in human affairs, and examines the particular judgments that necessarily comprise it.
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